Media Review: Thawan Duchanee: Modern Buddhist Artist
Today’s media review is about Thawan Duchanee: Modern Buddhist Artist by Russell Marcus (ISBN: 9786162150562). This book was published in 2013 by Silkworm Books, Chiang Mai, Thailand. The book is in English language, comprises 168 pages and is available as print version and e-formats (iBooks, Kindle, Google Books and Kobo). It costs 595 Bath; on Amazon the print version is about 18 EUR. You may take a look inside the book here.
Thawan Duchanee: Modern Buddhist Artist
This book is a comprehensive work about Thai National Artist Thawan Duchanee. It is structured in five main sections, namely ‘Paintings’, ‘Buildings’, ‘Artistry’, ‘Philosophy’ and ‘Life’. Hence, the author focusses on different aspects of Thawan’s art reflecting Buddhist philosophy and portraying Buddhism in a subtle manner.
The first section about ‘Paintings’ is subdivided into four chapters which deal with the dangers of doubt, lust, fear, and lack of concentration. What is more, Marcus points out that man’s pursuit of pleasure and escape from and avoidance of pain is primary subject of Thawan’s paintings. In addition, the work argues that virtues are exemplified in the previous lives of the Buddha. Thus, the first chapter is about the Dhammapada showing us how Buddhist teachings are reflected in the artist’s works. The next chapter, the Battle of Mara, deals with Buddha’s fight to reach enlightenment. The third part is thus concerned with the Last Ten Lives of the Buddha. These are moral tales illustrating the Buddha’s ten characteristic virtues. The fourth chapter of this section is about Seeing What Is Visible meaning to look beyond literal interpretations of Thawan’s work.
The second section of the book is concerned with ‘Buildings’ created by the artist. This is mainly about Thawan’s outstanding architectural and decorative achievements in Chiang Rai and Germany. Hence, the fifth chapter of this work deals with the Buddhist Meditation Room and the artist’s paintings from the Buddhist meditation centre of a German castle. Finally, the following chapter is about Thawan’s greatest achievement, namely the Black House Museum village in Chiang Rai (The Biggest Work of the Painter Is Not a Painting).
The next section ‘Artistry’ is about Thawan’s mastery of a wide range of styles, techniques and media. Thus, the fourth section ‘Philosophy’ lists what the artist said about his own work, including his concerns and passions regarding art, artworks and his own unique way and style. The final section ‘Life’ is Thawan’s biography.
In my view, this book is a very comprehensive and detailed work about Thawan’s different art forms. In particular, I welcome that there are more than 100 colour and black-and-white images that serve to illustrate the diversity and versatility of the artist’s work. In addition, I very much appreciate that the book offers deep insights into Thawan’s creative genius and also explores his philosophical backdrop.
Finally, I can highly recommend Thawan Duchanee, Modern Buddhist Artist. Particularly to everyone who is interested in the versatility of Thai and Buddhist art.