New Tibetan Center in Hamburg, Germany

Today I would like to present to you the new Tibetan Center in Hamburg, Germany. I know this topic is not about Thailand. However, it relates to Buddhism in general. The Tibetan Center, under the patronage of H.H. the 14th Dalai Lama, has just recently opened a new location in Hamburg City (Güntherstr. 39, HH-Hohenfelde).

Tibetisches Zentrum, Guentherstrasse 39 in Hamburg, photo: tibet.de

Tibetisches Zentrum, Güntherstrasse 39 in Hamburg, photo: tibet.de

I am happy about that because this center is actually very close to my place and I am looking forward to stopping by for evening meditation now and then.

New Tibetan Center in Hamburg-City

New Tibetan Center in Hamburg-City

Well, some of you might know that I practice Vipassana in the tradition of Ajahn Tong, which is a meditation technique in the Theravada tradition. I am not about to switch or mix up my meditation practice but I think some additional Samatha and Metta meditation cannot be wrong.

Buddhaimage at the Tibetan Center, Hamburg

Buddhaimage at the Tibetan Center, Hamburg

Last Sunday I went to visit the center and I must say that it is really a very nice, neat and peaceful place. Just an ideal location for meditation! I recall that about 12 years ago I did a weekly course about Buddhist Psychology at the Tibetan Center in Farmsen-Berne. This was actually my first course in Buddhism and also the first formal Buddhist meditation practice that I did.

Time for meditation at the Tibetan Center Hamburg-City

Time for meditation at the Tibetan Center Hamburg-City

On open day last weekend, Tibetan monks performed some rituals among these were the creation of a sand mandala followed by the ritual destruction of it. When I arrived at the center, the mandala had already been completed. I think that creating this kind of mandala from fine coloured sand is a very meditative act and the monks also put their metta and well wishes into this work of art. I have learned that the mandala is for visualizing the Buddha Avalokiteshvara, who is generally known as the Buddha of universal compassion.

Sand mandala on the opening day of the Tibetan Center Hamburg-City

Sand mandala on the opening day of the Tibetan Center Hamburg-City

However, there is a lot more symbolism to the mandala but in short, it stands for impermanence and the transitory nature of material life. I also got to witness the ritual destruction of the sand mandala which is a highly ceremonial act.

Tibetan monks and the ritual around the destruction of the sand mandala

Tibetan monks and the ritual around the destruction of the sand mandala

Destruction of the sand mandala

Destruction of the sand mandala

The deity syllables are removed in a specific order along with the rest of the geometry. Once the mandala has been completely dismantled, the sand is collected in a jar which is then wrapped in silk and brought to a river. Hence, we went to the nearby Kuhmühlenteich which is close to the Alster lake. There the monks released the sand into the water and thus back into nature. This symbolizes life’s transitoriness and impermanence of the world in general.

Tibetan monks, going to the nearby river at Kuhmühlenteich, Hamburg

Tibetan monks, going to the nearby river at Kuhmühlenteich, Hamburg

Tibetan monk releases sand from the mandala into the water

Tibetan monk releases sand from the mandala into the water

Summing up, I may say that it was a very interesting and uplifting afternoon at the new Tibetan Center in Hamburg-City. I will defintely stop by there for meditation and I am also curious about other courses or seminars relating to meditation practice.




The White Elephant in Thai Culture

In my view, one of the most impressive and majestic animals is the elephant, in particular the white elephant. Hence, in Thai culture the white elephant is called ‘chang samkhan’ which means ‘auspicious elephant’. Whitness is regarded as an sign of purity in this context. The white elephant has an important meaning in both Hinduism and Buddhism. In Hinduist thought, the white elephant is related to the God Indra who is also a guardian deity in Buddhism. His elephant can also fly and it is called ‘Airavata’.

White Elephant in Thai Culture

White Elephant of Thailand (Dressed) (credit: Sodacan, wikimedia.org)

White Elephant of Thailand (Dressed) (credit: Sodacan, wikimedia.org)

This kind of elephant is thus also related to Buddha’s conception since his mother Maya is said to have been circled by a white elephant three times until it entered her womb through her right side. Thus, in Thailand white elephants (‘chang phueak’) are not only considered to be auspicious but they also belong lawfully to the King.

Have you ever seen a white elephant? In fact, ‘chang phueak’ are not necessarily albinos but are  much paler than common elephants. Their skin may be light grey, beige or even have a rosy or pinkish hue. Think of the impressive procession of eleven white elephants at the Grand Palace in honor of Thailand’s late King Bhumibol Adulyadej in Bangkok on the 8th November 2016.

In Thai culture, the status of Kings have been rated by the number of white elephants that were in their possession and they have been historicalled considered an appendage to the King’s majesty. Hence, the late King H.M. Bhumibol Adulyadej owned the greatest number of white elephants. He had 21 white elephants and this can be regarded as an unprecedented achievement. Eleven of these elephants are still alive but only five of them have royal titles.

White Elephants – Monument to honour King Bhumibol Adulyadej in front of Bangkok's Lak Mueang (credit Puja1984, wikimedia.org)

White Elephants – Monument to honour King Bhumibol Adulyadej in front of Bangkok’s Lak Mueang (credit Puja1984, wikimedia.org)

Hence, how does a ‘chang phueak’ become a royal elephant? An elephant has to undergo an number of tests conducted by the Bureau of the Royal Household since it is important to ensure that the elephant is suited for the title and has not only the physical but also the behaviourial characteristics required.

The White Elephant Flag Thai national flag from 1855 to 1916, 31 December (credit: wikimedia.org)

The White Elephant Flag was the Thai national flag from 1855 to 1916, 31 December (credit: wikimedia.org)

In the past, Thai Kings also gave white elephants as presents to friends and allies. This was a blessing or curse since an elephant considered sacred was not supposed to work and at the same time it needed care and food. Thus, a ‘chang phueak’ could easily become a huge financial burden to the owner unless the King would also provide the recipient with land for the elephant.

Summing up, we may say that the white elephant has been the most sacred and auspicious animal in Thai culture since it is also considered as a royal animal related to the King.

Yours, Sirinya

 




Dreaming of Lotus Flowers

Recently I’ve had a vivid dream about a beautiful light mansion with a pool of white lotus flowers in front. I had the feeling that this place was somewhere in Thailand. I often dream of landscapes and particularly of those in Southeast Asia. I guess this is why I long to see all these amazing places in reality. Thus, I’ve wondered what the meaning of the lotus flower is and in the days following this dream, I’ve done a bit of research about lotus as symbol.

Lotus Flowers

Lotus (credit: Love Krittaya, wikimedia.org)

Lotus (credit: Love Krittaya, wikimedia.org)

First of all, I’ve learned about the spiritual and religious meaning of the lotus flower in different cultures. In ancient Egypt, for instance, the lotus was a symbol of rebirth and hence it was commonly used for wall and tomb paintings. The lotus has the power to renew itself since it loses old blooms and adds new ones in a daily cycle.

The lotus is also a symbol in Hinduism and Buddhism. In Hinduism, this flower stands for eternity, purity and peace. Hence, it is also the flower of the Gods for Brahma, the ultimate creator of the world, arises from a lotus. It is very interesting to note that in Buddhism the lotus flower has even more, i.e. a variety of meanings. For example, it symbolizes self-awareness, love and compassion of all beings and things, emptiness from desire, enlightenment, victory over attachments, overcoming suffering and spiritual development. Thus, the lotus also stands for patience, purity and mysticism.

Graceful 2014 painting by Narongrit Galajit

Graceful 2014 painting by Narongrit Galajit

You certainly know the lotus position which is a way of sitting during meditation. It is an important position in Buddhist meditation but also in yoga practices. The lotus has a deep spiritual meaning and in the lotus position the legs are crossed and tucked in a way that makes the bent knees look like the petals of a lotus. It is important that the soles of the feet are tucked away so that it is a respectful position to sit in when visiting a temple where exposing the bottom of your feet is considered rude.

In fact, there are lotus flowers and water lilies of different colours. Since I saw white lotus in my dream let me focus on the meaning of this paritcular colour: The white lotus symbolizes awakening, representing spiritual perfection and purity. Hence, it also stands for peace and a peaceful mind.

Well, how to interpret this dream now? Maybe I’m a person who is lucidly dreaming but the mansion and the lotus flowers surely symbolize a way to realize my longing and a path to awakening, in a worldly but also in a spiritual sense. How about you? Have you ever dreamed of water lilies or other flowers?

Yours, Sirinya

Reference: https://www.lotusflowermeaning.net/

http://www.flowermeaning.com/lotus-flower-meaning/

 




The Story of The Buddha

I have always believed, and I still believe, that whatever good or bad fortune may come our way we can always give it meaning and transform it into something of value (Hermann Hesse, Siddhartha)

The story of Buddhism begins with a man who became enlightened, thus gaining abiding insight into the nature of the world and its reality. Hence, the word ‘Buddha’ means the ‘Enlightened’ or ‘Awakened One’.

Great Buddha Monthon - Great Being (photo credit: Siwaphong Pakdeetawan, Instagram @knack66)

Great Buddha Monthon – the ‘Awakened One’ (photo: Siwaphong Pakdeetawan, Instagram @knack66)

The Story of The Buddha

The historical Buddha was born as a prince among the Sakyas in the year 623 B.C. The Sakyas were a warrior caste who lived in Kapilvastu which is located in today’s Nepal. His parents were King Suddhodana and Queen Siri Maha Maya who died after he was born. The prince was named Siddhartha Gautama. There was a prediction that the prince would become either a great King or a supreme Teacher of the World if he choose to become a monk.

Reclining Buddha of Wat Pho, Bangkok (photo credit: Amporn Konglapumnuay)

Reclining Buddha of Wat Pho, Bangkok. The ‘Sleeping Lion’ posture is the position in which the Buddha died (photo: Amporn Konglapumnuay)

Legends tell us that Prince Siddhartha was a very remarkable personality. Even though he was surrounded by luxury and splendour, he kept a serious, meditative turn of mind. Thus, one day the prince rode through the village streets and saw an old and discrepit man, then he also encountered a man severely stricken with illness and finally a dead man. Since he had not seen such conditions before in his luxurious palace, he became preoccupied with the ultimate questions of suffering and death.

The Buddha's hand (photo credit: Amporn Konglapumnuay)

The Buddha became a supreme Teacher of the World. This is the Great Buddha of Wat Muang  (photo: Amporn Konglapumnuay)

Thus, at the age of 29, the prince left his palace to become a monk leaving even his beautiful wife and child behind. First, he sought instruction under several great spiritual teachers and later he undertook the disciplines of rigorous self-mortification. Finally, after six years of radical physical asceticism and abstract philosophy, he reached Enlightenment through sitting quietly in meditation beneath the Bodhi Tree. He detected the cause of suffering in craving due to ignorance, discovering a way to right view, conduct and concentration.

Centre Hall stands for the four noble truths that the Buddha has preached to all men

The Buddha has preached the four noble truths to all men (photo: Amporn Konglapumnuay)

The Buddha decided to share his insights, what he discovered through the process of Enlightenment by preaching the message of salvation (Dharma) to all people of all castes without any discrimination. Thus, he organized a community of monks, the Sangha, which included disciples from all castes. The Buddha was a wandering teacher for 45 years before he died at Kusinara at the age of 80.

Buddha Monthon against the blue sky (photo credit: Siwaphong Pakdeetawan, Instagram @knack66)

Buddha Monthon against the blue sky, the Buddha teached the Dharma to all men (photo: Siwaphong Pakdeetawan)

In fact, the Buddha was a human being and his story was a story of a rich prince who became a monk and spent many years in the jungles, villages and schools in order to achieve Enlightenment. Hence, as a man he was born, he lived and he passed away. Thus, the Buddha is neither a god nor a god’s prophet. He is not a savior who saves others by his personal salvation. He rather wants his disciples to depend on themselves for their salvation.

A Buddha in Nan province (photo: Siwaphong Pakdeetawan, Instagram @knack66)

A Buddha in Nan province (photo: Siwaphong Pakdeetawan)

Finally, we may also say that the Buddha does not claim the monopoly of Buddhahood. Thus, we should also point out in retelling his story that every person can achieve Enlightenment and hence Buddhahood.

Yours, Sirinya




The Myth of Mae Phosop: The Rice Goddess of Thailand

Worshipping goddesses like Mae Phosop (โพสพ), the rice goddess, has been a part of Thai culture and tradition since prehistoric times. Even though the role of female deities became subservient since the introduction of male-dominated faiths such as Hinduism, Brahmanism and the official religion Buddhism, the power of the matriarchal spirit has always played an important role in Thailand. She is also known as Mae Khwan Khao (แม่ขวัญข้าว), the ‘Mother of Rice Prosperity’.

The rice goddess of Thailand

 Thailand’s rice goddess. Note that the letters seen top right are Khmer script (photo credit: devata.org)

Thailand ’s rice goddess. Note that the letters seen on top right are Khmer script (photo credit: devata.org)

Mae Phosop is considered the spirit or soul of rice, that is the main staple of the Thai diet. Thus, it is a common belief that without rice, a person cannot sustain and live long. The myth and legend of the rice goddess says that she is badly mistreated by an old widow. Hence, she flees and finds shelter with a friend. This friend is a fish that leads the goddess into the deep forest where no human being can find and reach her.

A mae Phosop statue in Chiang Mai (photo credit: Xufanc, wikimedia.org)

A Mae Phosop statue in Chiang Mai (photo credit: Xufanc, wikimedia.org)

As a consequence, all human beings begin to suffer from the absence of Phosop and try all that is humanly possible to find her. Finally, the fish advises the goddess to return to the humans because the next Lord Buddha will soon come to the world. Thus, the blessing of the rice goddess is needed since the Buddha will not be able to fulfil his duty on earth without Mae Phosop. Hence, she comes back to the community of mankind to stay forever. However, before her return, the goddess asks human beings to promise her to treat her with respect forever after. In return she promises to bring abundant crops to mankind. Man keeps his word and so does Mae Phosop.

A Thai paddy field, abundant crops arevital (photo credit: Takeaway, wikimedia.org)

A Thai paddy field, abundant crops are vital for mankind (photo credit: Takeaway, wikimedia.org)

This story explains Thai fertility rites concerning the cultivation of rice. Thus, we may be justified in claiming that the relationship between humans and the ‘soul’ of rice is mutually dependent. Hence, there is also a saying that ‘The virtues of rice are 69, while the virtues of the Lord Buddha are only 59’. This proverb speaks for itself and what is more, it also seems to point out the conflict between animistic beliefs and Buddhism. In addition, it reveals an intrinsic connection and relationship between mankind and what sustains its source of life.

Thai Mae Phosop (photo credit: devata.org)

A depiction of the Thai Mae Phosop (photo credit: devata.org)

When the spirit of the rice goddess is invocated, the person who performs the rite will address the spirit with sweet, kind and respectful words. The invocation runs as follows:

‘Dear Spirit of Rice, Mother Phosi, Mother Phosop, Mother of the Nine Stars, Mother Chanthewi, Mother Si Dusada, come, please, come’

A painting of the Thai rice spirit (photo credit: devata.org)

A painting of the Thai rice spirit (photo credit: devata.org)

Mae Phosop is addressed by the title of mother (mae) who provides food for her children (i.e. mankind). Thus, people are her children and they treat her with respect as they would their natural mother. Here is a clip demonstrating how the spirit in invocated. By the way, according to Thai tradition, children are also taught to Wai, i.e. put their hands in the position of obeisance and respect, after finishing their meal.

Summing up, we may say that on the one hand, the myth of the rice goddess in Thailand shows how animistic and Buddhist belief were combined in the past. On the other hand, it also reveals mankind’s dependency on a good rice harvest. Hence, people feel grateful to the rice goddess and behave respectful towards her.

Yours, Sirinya

(Reference: Siraporn Nathalang, Thai Folklore. Insights Into Thai Culture, Chulalongkorn University Press, 2000)




ISSUE – Thai Fashion Designer

‘Never give up, no matter what is going on’ (Dalai Lama)

ISSUE Thailand is a designer brand founded in 1999 that wants to combine Buddhist elements with fashion. Designer pieces by ISSUE are not merely supposed to be clothing but they should reveal and bring out the wearer’s personality and charisma.

ISSUE Thailand

ISSUE, Top 5 designer on ZALORA*

ISSUE Thailand*

Hence, this Thai desginer brand embraces the philosophical concept of ‘compassion’ and ‘never give up’ inspired by the teachings of the Dalai Lama. What is more, being a Thai fashion label, the designs are also influenced by the garments of the first Thai royals who went to Europe. Hence, the graphic designs preferably combine traditional Thai and Baroque motifs on different kinds of clothing like tops, jackets, shorts and accessories.

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Thus, ISSUE is exotic and flamboyant offering women- and menswear with colourful and exotic graphic prints and motifs inspired by Buddhism. The brand’s motto is ‘Life is a journey once you stop walking you are already stepping back’. Hence, their aim is to constantly create new high quality ‘passionate wear’ for both men and women.

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In addition, ISSUE is also concerned with the environment and thus wants to show appreciation of the fact by creating fashion that emphasizes oneness with the world and the environment. What is more, this fashion brand is also about exploring exotic cultures and absorbing their inspiring influences.

ISSUE SPICES AW2013 in DICHAN MAGAZINE NOVEMBER 2013, photo: Issue FB page

ISSUE SPICES AW2013 in DICHAN MAGAZINE November 2013, photo: Issue FB page

We may say that ISSUE is extravagant and thus very much appeals to the trendsetter and fashionista emphasizing individualism and cultural diversity in fashion. For this reason, it offers more than just fashion.

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Hence, ISSUE is also among my Top 5 Thai Designer Brands on Zalora 🙂 The collections are always playful and colourful, at the same time encouraging the wearers to combine their outfits in unique ways.

Yours, Sirinya

(All pictures in this post, photo credit: ZALORA Thailand, unless otherwise stated)




Hindu Gods in Thai Culture

You may certainly have noticed that Hindu gods are very prominent in Thai culture. Thus, there are often images of these gods in Thai temples and shrines. In fact, Brahma, Vishnu and Shiva are the three most important Hindu gods representing the recurring and continual cycles of birth, life, death and rebirth.

At the Ganesha Park (photo credit: Amporn Konglapumnuay)

At the Ganesha Park (photo credit: Amporn Konglapumnuay)

Hindu Gods in Thai Culture

This trinity, along with the god Indra, Ganesha and some enlightened divinities and demons, have been converted to the Buddhist doctrine according to Buddhist belief. Hence, these gods often occur as guardians of temples and monasteries. In addition, they may also be seen attending the Buddha on important events in his life.

Brahma, Hindu gods (photo credit: Amporn Konglapumnuay)

Brahma, Hindu gods at the Ancient City, Samut Prakan (photo credit: Amporn Konglapumnuay)

First there is Brahma (in Thai: Phra Phrom) who is the creator in the Hindu trinity. He is commonly depicted having four heads and the book of Vedas in his hand. His female aspect is the goddess of learning, Sarasvadi and his mount is the mythical celestial swan called Hong or Hamsa. Brahma is considered a guard of doors and pediments in temples. Furthermore, he is also popular as a protector of Thai hotels. Thus, in Thai culture, he is a deity of good fortune and protection.

Wat Yannawa Brahma (credit: photo dharma, Anandajoti Bhikku, wikimedia.org)

Wat Yannawa Brahma (credit: photo dharma, Anandajoti Bhikku, wikimedia.org)

In Thai art, Brahma is depicted in attendance to Buddhism along with Indra, at the crucial events in Buddha’s life. Hence, he is also considered to be converted to Buddhism. By the way, Hindu gods might also be the subject of one or the other Thai song. For instance, Noi (Krissada Sukosol), singer of the band Pru, featured a song called ‘Brahma Brahma’. I think this song is from the horror movie ‘Pawn Shop’ (Long Jamnam, 2013).

Another important god is Vishnu who is the preserver deity of the Hindu triad. In his hand, he often holds a disk and a conch shell. His mount is Garuda, the mythical bird that is half-human and half-eagle and the natural enemy of the Nagas. In other words, Garuda can be seen as the vehicle of Vishnu. What is more, Vishnu’s avatar is Rama, the hero of the Ramakien tale. In addition, this god is also associated with Thai royalty since the kings of the Chakkri dynasty have ‘Rama’ as part of their names. Similar to Brahma, Vishnu often functions as a (door) Wat guardian.

หน้าบันรูปพระนารายณ์ Vishnu tympanum (photo credit: กสิณธร ราชโอรส, wikimedia.org)

Vishnu tympanum (photo credit: wikimedia.org)

Shiva is the destroyer and regenerator aspect of the Hindu trinity. He usually has a third eye that is centred vertically on his forehead. Further characteristics are a brahmanical cord across his torso and sometimes a crescent moon which is caught in his tangled hair. Parvati is his consort and his mount is the bull Nandi.

Shiva on the bull Nandi, Prasat Muang Tam (photo credit: Ddalbiez, wikimedia.org)

Shiva on the bull Nandi, Prasat Muang Tam (photo credit: Ddalbiez, wikimedia.org)

The image of Ganesha (in Thai: Phra Pikanet) is also very prominent in Thai culture. For example, there is the Ganesha park in Nakhon Nayok which is considered a tribute to this elephant-headed god who is Shiva’s son. In Thailand, he is commonly seated at temple portals. What is more, he is also the patron of the arts and a protector of business.

Ganesha (photo credit: Amporn Konglapumnuay)

Ganesha at the same-named park in Nakhon Nayok (photo credit: Amporn Konglapumnuay)

Finally, we have the god Indra who is the god of Tavatimsa heaven. Hence, he is also the god of weather and war wielding a lightening bolt and riding Erawan, the multi-headed elephant. Indra is a temple guardian of portals and pediments. He is also prominent in the Vessantara story which is the last life of the Buddha-to-be. In addition, Indra occurs on mural paintings where he can be identified by his green colour. Along with Brahma, he is kneeling when attending Buddha during particular life events. Thus, it is indicated that the Hindu gods are subservient to Buddhism.

Bangkok Wat Arun Phra Prang, God Indra and the three-headed Erawan (photo credit Tsui, wikimedia.org)

Bangkok Wat Arun Phra Prang, God Indra and the three-headed Erawan (photo credit Tsui, wikimedia.org)

Summing up, we may claim that Hindu gods play a significant role in Thai culture. As a matter of fact, they not only show that Buddhism and Hinduism are intertwined but also represent a subservience of Hinduism to Buddhism. In this context, you might also want to check out my Thai Art Motifs Glossary for more general information 🙂

Yours, Sirinya

(Reference, Carol Stratton, What’s What In A Wat, Silkworm Books, 2010)




The Buddha Image in Thai Culture

Representations of the Buddha can be found throughout Thai temple compounds. The Buddha occurs either as statue or in mural paintings. Hence, they are idealized images of the Great Buddha who lived in the sixth century BC in northeast India. He is commonly shown in either of the following four positions: seated, standing, walking, and reclining (as the following pictures illustrate). The Buddha’s hand gesture and posture refer to important events in his life.

The Buddha Image

The Buddha statue of Wednesday (photo credit: Siwaphong Pakdeetawan, Instagram @knack66))

The Buddha Image of Wednesday (photo credit: Siwaphong Pakdeetawan, Instagram @knack66)

Siddhartha Gautama of the Sakya clan, who was to become the Buddha, was born in a small Hindu kingdom neighbouring to Nepal. First he became an ascetic before reaching enlightenment. Afterwards, he taught the truths he had learned and hence gained many disciples. He died around the age of 80.

Walking Buddha performing the gesture of Dispelling Fear (photo credit: Siwaphong Pakdeetawan, Instagram @knack66)

Walking Buddha Monthon performing the gesture of Dispelling Fear (photo credit: Siwaphong Pakdeetawan, Instagram @knack66)

The Buddha put forward the Four Noble Truths concerning man’s condition and the Eightfold Path that should lead to enlightenment, perfection, absence from rebirths and finally to nirvana which is to be understood as the extinction of the ‘three poisions’, namely passion, aversion and ignorance. When these poisons or ‘fires’ are extinguished, freedom from the cycle of rebirth (samsara) is attained.

Wat Yai Chai Mongkon, Reclining Buddha, Ayutthaya

Wat Yai Chai Mongkon, Reclining Buddha, Ayutthaya (photo taken by myself)

In the Reclining posture, the Buddha is also referred to as being in the ‘Sleeping Lion’s’ position which is the state in that the Buddha died. Buddha lies on the right side with knees slightly bend and the left hand on the thigh. In Buddhism, the ‘Sleeping Lion Posture’ is also the traditionally recommended mode for dying. A well-known Buddha Image in this position is the Reclining Buddha at Wat Pho in Bangkok.

Reclining Buddha of Wat Pho, Bangkok (photo credit: Amporn Konglapumnuay)

Reclining Buddha of Wat Pho, Bangkok (photo credit: Amporn Konglapumnuay)

For example, a Walking Buddha is the Buddha Monthon (Phutthamonthon) which is created in the Sukhothai style. The image performs the abhaya mudra, the gesture of Reassurance and Dispelling Fear. Characteristic of the period are the broad shoulders and pendant arm. The flat feet and projecting heels are part of the anatomy characteristic of a Great Being.

Great Buddha Monthon - Great Being (photo credit: Siwaphong Pakdeetawan, Instagram @knack66)

Great Buddha Monthon (photo credit: Siwaphong Pakdeetawan, Instagram @knack66)

It is also important to note that there are Buddha statues for each day of the week, each in different pose. They are often lined up in a row at a temple. Many Thai people know the day and hour they were born thus paying respect to the Buddha image presiding over their day of birth.

Buddha images representing each day of the week (photo credit: chiangmai.chiangrai.com)

Buddha images representing each day of the week (photo credit: chiangmai.chiangrai.com)

The Buddha of Monday is the one preventing calamities. The image for Tuesday is in the reclining posture. Wednesday, in fact, has two Buddha images, in the morning it is the Buddha holding an alms bowl and in the evening he is in the posture of retreating in the forest. The Thursday image is meditating and on Friday the Buddha is in reflection. The Saturday statue is sitting in meditation while being protected by Muchalinda’s cobra hood. Finally, the Sunday Buddha is in pensive thought.

The Buddha's hand (photo credit: Amporn Konglapumnuay)

The Buddha’s hand, the Great Buddha of Wat Muang (photo credit: Amporn Konglapumnuay)

The most prevalent posture and gesture in Thailand is the Buddha in sitting position with his right hand pointing down to the earth. By doing so, he calls on the earth to be his witness that over many lives he fulfilled and accomplished himself thus being able to reach enlightenment. For example, the Great Buddha of Wat Muang is a seated image pointing with his right hand to Mother Earth. Another famous example of the seated statue is the Golden Buddha at Wat Traimit in Bangkok’s Chinatown.

The Golden Buddha image*

The Golden Buddha image (photo credit: Amporn Konglapumnuay)

Summing up, we may claim that the Buddha image in Thai culture is very prominent and prevailing. Next time you visit a Thai Wat, check out what kind of images there are and find out which Buddha presides over your birthday 🙂

Yours, Sirinya

(Reference, Carol Stratton, What’s What In A Wat, Silkworm Books, 2010)

 




Media Review: Thawan Duchanee: Modern Buddhist Artist

Today’s media review is about Thawan Duchanee: Modern Buddhist Artist by Russell Marcus (ISBN: 9786162150562). This book was published in 2013 by Silkworm Books, Chiang Mai, Thailand. The book is in English language, comprises 168 pages and is available as print version and e-formats (iBooks, Kindle, Google Books and Kobo). It costs 595 Bath; on Amazon the print version is about 18 EUR. You may take a look inside the book here.

Thawan Duchanee: Modern Buddhist Artist

This book is a comprehensive work about Thai National Artist Thawan Duchanee. It is structured in five main sections, namely ‘Paintings’, ‘Buildings’, ‘Artistry’, ‘Philosophy’ and ‘Life’. Hence, the author focusses on different aspects of Thawan’s art reflecting Buddhist philosophy and portraying Buddhism in a subtle manner.

The first section about ‘Paintings’ is subdivided into four chapters which deal with the dangers of doubt, lust, fear, and lack of concentration. What is more, Marcus points out that man’s pursuit of pleasure and escape from and avoidance of pain is primary subject of Thawan’s paintings. In addition, the work argues that virtues are exemplified in the previous lives of the Buddha. Thus, the first chapter is about the Dhammapada showing us how Buddhist teachings are reflected in the artist’s works. The next chapter, the Battle of Mara, deals with Buddha’s fight to reach enlightenment. The third part is thus concerned with the Last Ten Lives of the Buddha. These are moral tales illustrating the Buddha’s ten characteristic virtues. The fourth chapter of this section is about Seeing What Is Visible meaning to look beyond literal interpretations of Thawan’s work.

Thawan Duchanee (photo credit: chiangraitimes.com)

Thawan Duchanee (photo credit: chiangraitimes.com)

The second section of the book is concerned with ‘Buildings’ created by the artist. This is mainly about Thawan’s outstanding architectural and decorative achievements in Chiang Rai and Germany. Hence, the fifth chapter of this work deals with the Buddhist Meditation Room and the artist’s paintings from the Buddhist meditation centre of a German castle. Finally, the following chapter is about Thawan’s greatest achievement, namely the Black House Museum village in Chiang Rai (The Biggest Work of the Painter Is Not a Painting).

The next section ‘Artistry’ is about Thawan’s mastery of a wide range of styles, techniques and media. Thus, the fourth section ‘Philosophy’ lists what the artist said about his own work, including his concerns and passions regarding art, artworks and his own unique way and style. The final section ‘Life’ is Thawan’s biography.

In my view, this book is a very comprehensive and detailed work about Thawan’s different art forms. In particular, I welcome that there are more than 100 colour and black-and-white images that serve to illustrate the diversity and versatility of the artist’s work. In addition, I very much appreciate that the book offers deep insights into Thawan’s creative genius and also explores his philosophical backdrop.

Finally, I can highly recommend Thawan Duchanee, Modern Buddhist Artist. Particularly to everyone who is interested in the versatility of Thai and Buddhist art.

Yours, Sirinya




Thawan Duchanee’s Buddhist Art Works

By painting the world with its different forms and images, I became a part of God! (Thawan Duchanee)  

Maybe you remember my article about Thawan Duchanee’s Black House Museum that is called ‘Baan Dam’ in Thai. Apart from creating the Black Houses in Chiang Rai, Thawan (1939-2014) was also a great Thai and Buddhist artist who from a very young age had the inspiration and intuition to paint. In fact, the artist was called “as pure Thai as glutinous rice and mangos” by the former Thai prime minister M.R. Kukrit Pramoj. Even though Thawan lived a secular life, he was very much in harmony with his Buddhist matters. In addition, he looked like a sage and wise man with his long white beard.

Thawan Duchanee

The artist at work (photo credit: Facebook, Thawan Duchanee)

The artist at work (photo credit: Facebook, Thawan Duchanee)

Thawan saw his art works as an intense interpretation of the Buddhist dharma. Hence, he was primarily concerned with human beings. However, he used animals as medium, vehicles and symbols to voice his concern. Thus, on the one side he presented predatory animals like tigers to stand for lust or the desire for pleasure. On the other side, he portrayed victimzed or attacked animals that represent fear or the desire for escape.

Animals as symbols, tiger attacking a boar (photo credit: ponlavit.com)

Animals as symbols, tiger attacking a boar (photo credit: ponlavit.com)

In a metaphorical sense, Thawan Duchanee used animals to symbolize the lower traits or animal natures inherent in human beings. These lower traits are for instance, fear, greed, lust and the ego. These animal instincts interfere with human spiritual growth. The aim is simply to conquer undesirable personality traits. Similar to Buddha’s victory over Mara symbolizing ‘Samsara’, the circle of  life and death.

Battle of Mara (1989), oil on canvas (photo credit: rama9art.org)

Battle of Mara (1989), oil on canvas (photo credit: rama9art.org)

However, the artist also pointed out that humans are different from animals because they have the power of thinking and creating. In this sense, human beings are able to create civilization, culture and art. This is exactly what the artist did. In the following video, Thawan talks about the different phases of his art works and his general intentions.

Thawan’s artistic works are indeed complex and versatile. We may say that he created a unique Asian artistic expression by combining Thai, Chinese and other Asian traditions like Japanese calligraphy. Hence, the artist also did Sumi-e painting which is a kind of Zen ink-brush painting.

'Horse' Sumi-e painting, 1991 (photo credit: rama9art.org)

‘Horse’ Sumi-e painting, 1991 (photo credit: rama9art.org)

The special feature of such Zen brush painting is that the artist needs momentary concentration and speed to create the work with no intention or doctrine of mind. Thawan described this technique as “a wild boar running forward to attack, my brushstrokes show the same speed and strength as the running boar” (T. Duchanee, Modern Buddhist Artist, p. 111).

Finally, there still remains so much more to say about his Buddhist art. Thus, I recommend you read Russell Marcus’ book about the artist for more detailed information, if you are interested in the subject. You might also want to check out my book review about Thawan Duchanee: Modern Buddhist Artist in this context 🙂

What do you think about Thawan Duchanee’s art? Do you find it representative of Thai and Buddhist art generally?

Yours, Sirinya