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The Bunnag Family: Thai People of Persian Decent

It is a fact that in the period of the Ayutthaya  Kingdom, i.e. the early 17th century, Persian people migrated to Thailand. They were mainly traders and merchants. These people of Persian decent were referred to as ‘Khaek Ma-ngon’ (แขกมะหง่น) or ‘Shia Muslim’ which is ‘Khaek Chaosen’ (แขกเจ้าเซน) in Thai. Over the centuries, most of the Khaek Ma-ngon converted to Buddhism and were integrated into Thailand’s society.

Consort Samlee Bunnag [Rama 4] with her daughters around 1880, (photo credit: teakdoor.com)

Consort Samlee Bunnag [Rama IV] with her daughters around 1880, (photo: teakdoor.com)

The Bunnag family

Some of the Thai families of Iranian decent have been very influential in Thai public life. In this context, the Bunnag (บุนนาคfamily is most well-known and established up until today. Their ancestor is Shaykh Ahmad Qomi who came as a merchant to Ayutthaya in 1602 and stayed in Thailand for 26 years.

Yarinda Bunnag (photo bk.asia-city.com)

Contemporary actress, singer & architect Yarinda Bunnag (b. 1980). She was in the movie The Red Eagle starring alongside Ananda Everingham (photo: bk.asia-city.com)

The Bunnag family was acknowledged as a Siamese Royal Family in the early Rattanakosin period. They were most powerful in the 19th century. The first patriarch of the Bunnag, Akka Mahasena, was a close friend and confidant of Rama I who married five of Bunnag’s daughters as royal consorts. Thus, the Bunnag also influenced the succession in the Chakri dynasty. However, in the late 19th century the Bunnag’s power was restricted by King Rama V (Chulalongkorn).

Bunnag sisters and children sharing a meal on the veranda of the king’s residence at Dusit Palace. (image courtesy of the National Archive of Thailand, quod.lib.umich.edu)

The Bunnag family, sisters and children sharing a meal on the veranda of the king’s residence at Dusit Palace. (Image courtesy of the National Archive of Thailand, quod.lib.umich.edu)

The Bunnag daughters were royal consorts for centuries. Even during the time of King Chulalongkorn’s reign, the Bunnag sisters were concubines at the Royal Court. In this context, you may remember my article about Dara Rasami who was a Princess of Chiang Mai at the Siamese Court.

The Bunnag sisters, royal consorts, notice that they all wear a short hairstyle*

The Bunnag sisters, royal consorts at the time of King Chulalongkorn (Image courtesy of the National Archive of Thailand, quod.lib.umich.edu)

Dis Bunnag (Prayurawongse,1788–1855 ) was a son of Akka Mahasena. He was an important political figure and played a decisive role in the ascension of King Mongkut (Rama IV).

Prayurawongse, Dis Bunnag (photo credit: Watprayoon, wikimedia.org)

Prayurawongse, Dis Bunnag (photo: Watprayoon, wikimedia.org)

He became the kingdom-wide regent under King Monkut being granted the title of Somdet Chao Phraya Borom Maha Prayurawongse. One of his sons, Chuang Bunnag, became the regent for King Chulalongkorn.

Sri Suriyawongse, Chuang Bunnag (photo credit: wikimedia.org)

Sri Suriyawongse, Chuang Bunnag (photo: wikimedia.org)

Finally, we may say that the Bunnag family has been very influential in Thailand’s history. There are in fact some other Thai families of Persian decent which trace their ancestry back to Shaykh Ahmad. These are for instance the Ahmadchula families.

Yours, Sirinya




Media Review: Thai Ways by Denis Segaller

Today’s media review is about Thai Ways by Denis Segaller (ISBN: 9789749575734 ). This book was published in 2005 by Silkworm Books, Chiang Mai, Thailand. The book is in English language, comprises 254 pages and is available as print version and e-formats (iBooks, Kindle, Google Books and Kobo). It costs 395 Bath, on Amazon the print version is about 15 EUR. You may take a look inside the book here.

Denis Segaller: Thai Ways

Thai Ways written by Denis Segaller (b. 1915) can be regarded as a delightful collection of stories and tales covering nearly all aspects of Thai culture, customs and beliefs. Segaller came to live in Thailand at an older age in 1965, married a Thai lady, became a Buddhist and worked as a writer for the Bangkok Post among others.

‘Thai Ways’ comprises many of Segaller’s magazine articles that were mainly published, updated and completed during the 1970s in the popular weekly column ‘Thai Ways’ in the ‘Bangkok World’ which was the former afternoon tabloid companion to the Bangkok Post. The weekly ‘Thai Ways’ column ran continuously from 1975 to 1985. In short articles and anecdotes, the author describes Thai culture very comprehensively and accurately. Even though the selections are about four decades old, they nevertheless remain as informative today as when Segaller first wrote them down.

The book starts off with a preface and a note about the spelling of Thai words. ‘Thai Ways’ has ten chapters which are each divided into several sections. The chapters are about ‘Royalty and Nobility’, ‘Festivals’, ‘Ceremonies’, ‘Customs’, ‘Beliefs and Superstitions’, ‘Legends’, ‘Families’, ‘Thai Fortune-Telling’, ‘Names, Words and Language’ and ‘Miscellaneous’.

Thai Ways, customs & beliefs: It's a Thai belief that if you put a coin up and it stands still, then your wishes will come true (photo credit: Siwaphong Pakdeetawan, Instagram @knack66)

Thai Ways, customs & beliefs: It’s a Thai belief that if you put a coin up and it stands still, then your wishes will come true (photo credit: Siwaphong Pakdeetawan, Instagram @knack66)

The chapter about ‘Customs’ takes up the largest part of the book. For instance, this chapter is divided into 16 sections. To give you an impression of the structure of this book, this chapter is subdivided into the following topics:

  • Some Social “Do’s and Don’ts” in Thailand
  • Khun: An Everyday, but Deep, Word
  • Some Other Social Norms
  • The Wai
  • More Elaborate Forms of the Wai
  • Music – Classical and Western
  • Worshipping Brahma and Other Deities
  • Lak Mueang – The Log that Helped to Found a City
  • Traditional Thai Medicine
  • Preserving Thailand’s Traditional Arts of Self-Defense
  • Telling the Time
  • Lunar Months
  • The Twelve-Year Cycle
  • When a Child is Born
  • When Traditions Intermingle
  • Some Like It Hot

Segaller covers numerous aspects of Thai culture and customs, thus demystifying constructs like the system of royal ranks and the Thai musical scale, and customs like the Loi Krathong festival and the Wai Khru ceremony, for instance.

In my view, the book is a gem of information that provides insight into the heart, mind and social structure of an Asian country not to be subjected to the culture of colonial rule. It probably provides more information than the typical tourist wants to know. However, for anyone who has personal, economic or diplomatic interest in Thailand it is a source of important insights. The book might seem a little dated, nevertheless it offers a deep understanding of how Thailand has developed and functioned on many levels.

Finally, I can highly recommend Thai Ways by Denis Segaller because it is comprehensive and provides you with a picture of Thailand that the non-Thai readers are not likely to encounter elsewhere. In addition, it should be noted that there have been two subsequent publications titled “More Thai Ways” and “New Thoughts on Thai Ways” which offer additional topics presented in a similar format.

Yours, Sirinya




The Concept of ‘Siwalai’ in Late 19th Century Siam

You’ve probably come across the term ‘siwalai‘ (ศิวาลัย) in some way or other. Just think of the ‘siwalai‘ dress that we’ve dealt with in the context of traditional Thai dresses or the Siwalai garden (Suan Siwalai, สวนศิวาลัย) which is situated in the Grand Palace, Bangkok. The Siamese notion of ‘siwalai was first introduced in the reign of King Mongkut (r.1851-1868) and can be regarded as a modified version of the English word ‘civilized’.

Boromphiman Mansion is part of the Grand Palace and is situated in Siwalai garden (photo credit: commons.wikimedia.org)

Boromphiman Mansion is part of the Grand Palace and situated in Siwalai garden (photo credit: Andreas Hörstemeier, wikimedia.org)

The Notion of Siwalai

Thus, the meaning of this term ranged from etiquette to material progress in the sense of new bureaucracy, infrastructure, electricity, judicial system as well as dress codes, grooming and appearance. However, it is interesting to note that the Siamese quest for ‘civilization’ was primarily a transcultural process in which Western practices and ideas had been adapted, transferred and incorporated into the Siamese setting.

King Chulalongkorn and Family, dressed in Victorian fashion (photo credit: wikimedia.org)

King Chulalongkorn and family, dressed in Victorian fashion, around the 1890s, photograph of a painting made more than 100 years ago (photo credit: wikimedia.org)

In other words, this led to the phenomenon that Western and Siamese aspects were mixed and combined together. For instance, this is shown in clothing: ladies of the court had assumed the hybridized fashion of combining Victorian lacy, high-collared blouses with traditional jongkraben pantaloons (wrapped trousers). Queen Saowapha (also written ‘Saovabha’) who was the chief consort of Chulalongkorn also wore this kind of mixed fashion.

Queen Saowapha, clothed in part Siamese, part Victorian fashion (photo credit: wikimedia.org)

Queen Saowapha in 1902, clothed in part Siamese, part Victorian fashion (photo credit: wikimedia.org)

For this reason, ‘siwalai’ might be regarded as a technique that could provide Siam with equally civilized standards to the West. Nonetheless, additionally to its display of civilized standards to the West, it also served as a local legitimization for the symbolic powers of the Siamese elite. That is to say that there was a gap between a ‘siwalai’ Westernized public domain and a private domain which remained Thai and local. However, generally we may say that the quest for civilization served as a project for self-confirmation as well as of constructing occidentalized images of Siamese prestige. Thus, we may also claim that Siamese siwalai never had the intention to imitate all features of Western civilization.

It is more the case that distinctively Western features were adapted in order to create something new that was nevertheless completely Siamese. Hence, things and aspects labelled as civilized were considered as prestigious and authoritative. Referring back to the example of fashion, the following clip shows how Western fashion was adapted to fit in a new Siamese style considered as ‘civilized’. What is more, it is also interesting to note that today the Siamese Fashionista group tries to encourage young Thais to dress traditionally again.

Finally, we may claim that siwalai was in fact a kind of elite mimetic resistance to the West and not an attempt of farangization and westernization respectively. What do you think about this topic?

Yours, Sirinya

(Reference: Rachel V. Harrison & Peter Jackson eds. The Ambiguous Allure of the West. Traces of the Colonial in Thailand, 2010)




John Thomson: Pictures of Old Siam

“His [Thomson’s] photographic style can be perceived from the beauty of his works. Back then when all he had was natural light, he still managed to get the beautiful photographs”

(Paisarn Piemmettawat, the exhibition’s organizer’s assistant)

John Thomson: the crown prince of Siam (Rama V)

John Thomson photography: the crown prince of Siam (Rama V)

John Thomson Photography

Recently I’ve come across an interesting article in the Bangkok Post. It is about a photo exhibition of the Scot J. Thomson, born in 1837, who was one of the first photographers in the Far East.

young Siamese prince

A young Siamese prince

The National Gallery on Chao Fah Road in Bangkok now shows 60 of Thomson’s black and white photos of old Siam. These photos were taken in 1865 – 1866. The exhibition is called “Siam Through The Lens Of John Thomson”. It started on 10. January and runs until 28. February 2015. You have free entry to this exhibition.

Siamese nobleman Racha Chaya

Siamese nobleman Racha Chaya

The photographer arrived in Bangkok on 28. September 1865. Thus, the exhibition marks the 150th year since his arrival in Siam.

Siamese Buddhist bonze.

Portrait of a Siamese monk, 1865

While staying in Siam after living and travelling some other places in Asia like Ceylon and Malaysia, Thomson took photos of the King of Siam, members of the royal court but also of ordinary people. Hence, he also documented village life.

L0055805 Siamese boatman, Siam [Thailand].

A Siamese boatman with his oar.

 

siamese teenager with topknot

A Siamese youth with traditional topknot

What is special about Thomson is that he was the first (Western) photographer to be allowed into the Grand Palace and to take photos of King Mongkut, Rama IV. The King was very much impressed with his skill of taking photos.

800px-Thomson_King_Mongkut_of_Siam-762x1000

King Mongkut, Rama IV, in European attire, 1865

 

L0055542 The 1st King of Siam, King Mongkut, in state robes, Bangkok

King Monkut in traditional Thai attire and regalia of royalty, 1865

Hence, there is a very special picture of a procession taken in front of Wat Pho because the situation was that the King called everyone to stay still so that Thomson could take photos of this event. In fact, this is a rare picture of a historical moment that displays the greatness of Thai tradition.

king of siam and procession

The king and his procession in front of Wat Pho

What is more, Thomson also took photos of the city of Bangkok and Ayutthaya.

the chao phraya river as seen from the main spire of Wat Arun

The Chaophraya river viewed from Wat Arun

thomson_1

The pictures in this post are all taken from the Wellcome Library, London. They also have more photos of Thomson’s travel to other parts of East Asia.

Well, the exhibition is over but there is now a new book called ‘Siam Through the Lens of John Thomson’ published by River Books. If you are interested in history, old Siam and John Thomson’s photography, I strongly recommend you check out this work 🙂

Yours, Sirinya